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GIOTTO di Bondone
Italian Early Renaissance Painter, 1267-1337 Italian painter and designer. In his own time and place he had an unrivalled reputation as the best painter and as an innovator, superior to all his predecessors, and he became the first post-Classical artist whose fame extended beyond his lifetime and native city. This was partly the consequence of the rich literary culture of two of the cities where he worked, Padua and Florence. Writing on art in Florence was pioneered by gifted authors and, although not quite art criticism, it involved the comparison of local artists in terms of quality. The most famous single appreciation is found in Dante's verses (Purgatory x) of 1315 or earlier. Exemplifying the transience of fame, first with poets and manuscript illuminators, Dante then remarked that the fame of Cimabue, who had supposed himself to be the leader in painting, had now been displaced by Giotto. Ironically, this text was one factor that forestalled the similar eclipse of Giotto's fame, which was clearly implied by the poet.

 
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GIOTTO di Bondone Raising of the Boy in Sessa oil painting

Painting ID::  44376

X 
 

 GIOTTO di Bondone
Raising of the Boy in Sessa
1310
   
   
     

 

 
GIOTTO di Bondone Allegory of Obedience oil painting

Painting ID::  44382

X 
 

 GIOTTO di Bondone
Allegory of Obedience
c. 1330
   
   
     

 

 
GIOTTO di Bondone St Francis in Glory oil painting

Painting ID::  52356

X 
 

 GIOTTO di Bondone
St Francis in Glory
c. 1330 Fresco Lower Church
   
   
     

 

 
GIOTTO di Bondone The Death of the Boy in Sessa oil painting

Painting ID::  52357

X 
 

 GIOTTO di Bondone
The Death of the Boy in Sessa
1310s Fresco North transept
   
   
     

 

 
GIOTTO di Bondone Allegory of Poverty oil painting

Painting ID::  52359

X 
 

 GIOTTO di Bondone
Allegory of Poverty
c. 1330 Fresco Lower Church
   
   
     

 

 
GIOTTO di Bondone View of the Church of San Francesco established in 1228 oil painting

Painting ID::  52364

X 
 

 GIOTTO di Bondone
View of the Church of San Francesco established in 1228
Convent of San Francesco, Assisi San Francesco at Assisi consists of two superimposed churches
   
   
     

 

 
GIOTTO di Bondone View of the interior oil painting

Painting ID::  52365

X 
 

 GIOTTO di Bondone
View of the interior
Upper Church, San Francesco,
   
   
     

 

 
GIOTTO di Bondone Ascension of Christ oil painting

Painting ID::  52366

X 
 

 GIOTTO di Bondone
Ascension of Christ
c. 1300 Fresco Upper Church
   
   
     

 

 
GIOTTO di Bondone Frescoes in the fourth bay of the nave oil painting

Painting ID::  52367

X 
 

 GIOTTO di Bondone
Frescoes in the fourth bay of the nave
1290s Fresco Upper Church
   
   
     

 

 
GIOTTO di Bondone Scenes Nos oil painting

Painting ID::  52368

X 
 

 GIOTTO di Bondone
Scenes Nos
4-6 1297-99
   
   
     

 

 
GIOTTO di Bondone Allegory of Chastity oil painting

Painting ID::  52369

X 
 

 GIOTTO di Bondone
Allegory of Chastity
c. 1330 Fresco Lower Church
   
   
     

 

 
GIOTTO di Bondone Marriage at Cana oil painting

Painting ID::  52370

X 
 

 GIOTTO di Bondone
Marriage at Cana
1304-06 Fresco, 200 x 185 cm
   
   
     

 

 
GIOTTO di Bondone Dream of Innocent III oil painting

Painting ID::  52371

X 
 

 GIOTTO di Bondone
Dream of Innocent III
1297-99 Fresco, 270 x 230 cm
   
   
     

 

 
GIOTTO di Bondone Vision of the Flaming Chariot oil painting

Painting ID::  52372

X 
 

 GIOTTO di Bondone
Vision of the Flaming Chariot
1297-99 Fresco, 270 x 230 cm
   
   
     

 

 
GIOTTO di Bondone Stigmatization of St Francis oil painting

Painting ID::  52373

X 
 

 GIOTTO di Bondone
Stigmatization of St Francis
1297-1300 Fresco, 270 x 230 cm
   
   
     

 

 
GIOTTO di Bondone The Hermit Zosimus Giving a Cloak to Magdalene oil painting

Painting ID::  52374

X 
 

 GIOTTO di Bondone
The Hermit Zosimus Giving a Cloak to Magdalene
1320s Fresco Magdalene Chapel
   
   
     

 

 
GIOTTO di Bondone Joachim-s Sacrificial Offering oil painting

Painting ID::  52375

X 
 

 GIOTTO di Bondone
Joachim-s Sacrificial Offering
1304-06 Fresco, 200 x 185 cm
   
   
     

 

 
GIOTTO di Bondone Marriage of the Virgin oil painting

Painting ID::  52376

X 
 

 GIOTTO di Bondone
Marriage of the Virgin
1304-06 Fresco, 200 x 185 cm
   
   
     

 

 
GIOTTO di Bondone No. 13 God Sends Gabriel to the Virgin oil painting

Painting ID::  52377

X 
 

 GIOTTO di Bondone
No. 13 God Sends Gabriel to the Virgin
1306 Fresco, 230 x 690 cm
   
   
     

 

 
GIOTTO di Bondone The Angel Gabriel Sent by God oil painting

Painting ID::  52378

X 
 

 GIOTTO di Bondone
The Angel Gabriel Sent by God
1306 Fresco, 150 x 195 cm
   
   
     

 
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GIOTTO di Bondone
Italian Early Renaissance Painter, 1267-1337 Italian painter and designer. In his own time and place he had an unrivalled reputation as the best painter and as an innovator, superior to all his predecessors, and he became the first post-Classical artist whose fame extended beyond his lifetime and native city. This was partly the consequence of the rich literary culture of two of the cities where he worked, Padua and Florence. Writing on art in Florence was pioneered by gifted authors and, although not quite art criticism, it involved the comparison of local artists in terms of quality. The most famous single appreciation is found in Dante's verses (Purgatory x) of 1315 or earlier. Exemplifying the transience of fame, first with poets and manuscript illuminators, Dante then remarked that the fame of Cimabue, who had supposed himself to be the leader in painting, had now been displaced by Giotto. Ironically, this text was one factor that forestalled the similar eclipse of Giotto's fame, which was clearly implied by the poet.